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In the 1960s her voice deteriorated further, even though the emotional impact of her interpretations, her musicality, the intelligence of her performances all were intact. There were periods in the second half of the 1950s when the vibrato would almost disappear but then it would come back again. A rather heavy vibrato in the high register, occasional unsteadiness and harshness became noticeable. That completely changed her stage presence, transforming her into an elegant and beautiful woman, but many felt that the weight loss affected her singing. Early in her career Callas was a heavy woman, but in 1953-54 she lost about 80 pounds. Eventually she dropped the heavier roles, concentrating on the operas of Bellini, Donizetti and Verdi. Soon after she was singing in many Italian opera theaters, performing an unusually broad range of soprano roles, from Isolde, Kundry and Brünnhilde in Wagner’s operas to the bel canto role of Elvira in Bellini’s I puritani. Even though Callas was an American, her talent was first recognized in Italy when, in 1947, the conductor Tulio Serafin engaged her in the production of Ponchielli’s La Gioconda in Verona.
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Considering her tremendous legacy, it come as a surprise that at the best level of singing her career was short, not more than 10 years. Without a doubt the most famous soprano of the 20 th century, she was triumphant in the bel canto repertoire. Maria Callas – La Divina, as she was called by her adoring fans – was born on December 2 nd of 1923 in New York. This Week in Classical Music: November 29, 2021. Three centuries, eleven names we suppose it would be hard to come up with a more diverse group. Last but not least, the great Finnish symphonist Jean Sibelius who was also born this week, on December 9 th of 1865. Bernardo Pasquini, born December 7 th of 1637, was one of the most important Italian keyboard composers between Frescobaldi and Domenico Scarlatti. A Belgian, he spent most of his productive years in France.
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) was also a conservative composer, but hisguitar pieces remain widely popular.Īnd to add to our already full roster: César Franck, of the Violin sonata fame, was born on December 10 th of 1822. On the other hand, Pietro Mascagni, who died in 1945, was firmly a 19 th century composer (Mascagni was born on December 7 th of 1863). Together with Janáček, he is the most interesting Czech composer of the period. Weinberg is very different from both, and in a way, these composers create a triangle of sorts: Weinberg, Shostakovich’s disciple and not a modernist, was as far away from Górecki’s music as he was from Carter’s.Įven though Bohuslav Martinu was born in the 19 th century (on December 8 th of 1890), he’s definitely a 20 th century composer, even though he often used a neoclassical idiom. Carter, on the other hand, all his life wrote very angular, modernist music, and while he was highly esteem among his colleagues, he was never popular with the public. Górecki, a minimalist, is one of the most popular modern classical composers of the last half century, he sold thousands of recordings. Even though they were contemporaries, it’s difficult to imagine more different composers. Three more very significant 20 th century composers were also born this week: the Polish Henryk Górecki (on December 6 th of 1933), the Jewish-Polish-Soviet composer Mieczysław Weinberg, on December 8, 1919, and the American, Elliott Carter, on December 11 th of 1908. Both wrote massive pieces – Berlioz’s opera Les Troyens runs for more than four hours, Messiaen’s Saint François d’Assise close to five, so it’s difficult to present small samples to demonstrate how much music had changed in one hundred years, but you could browse our library and listen to, for example, to a piece from Messiaen’s piano suite Vingt Regard sur l'Enfant Jésus and then Berlioz’s Symphonie fantastique and judge for yourself.
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Another great French composer was born one hundred years later - Olivier Messiaen, on December 10 th of 1908. Berlioz was born on December 11 th of 1803. We’ll start with Hector Berlioz, the French Romantic composer who wrote in a unique style and whose greatness was acknowledged only years after his death.
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This is one of the weeks that demonstrate especially well the amazing diversity of this wonderful art we call Classical music. This Week in Classical Music: December 6, 2021.